Curated news coverage, institutional background, regulatory filings, and investigative reporting across RDU Global.
Love All enters the latest phase of the domestic badminton season with momentum, confidence and the burden of expectation after back-to-back successes. A third consecutive title would not only underline its current dominance but also test whether the side’s winning formula can withstand the pressure that comes with being the team to beat.
The Artix 5.0 hotel art fair opens its doors in New Delhi, showcasing 21 rooms filled with innovative works from emerging artists alongside the legacy of veteran KG Subramanyan. This year's edition emphasizes the fusion of tradition and modernity in the Indian art scene.
Thiruvananthapuram MP Shashi Tharoor on Saturday released Seven Shades of Love, the first poetry collection by Debashis Chatterjee, director of IIM-Kozhikode. The launch, published by Penguin Random House India, also became a conversation on writing, reading and the many forms of love that extend beyond romance into friendship, family, nature and human existence.
R.F. Kuang's writing has become known for turning contradiction into insight, using fiction to examine truth, power, language and survival without simplifying any of them. A new collection of her quotes from works including Yellowface, Babel and The Poppy War highlights why her voice continues to resonate with readers navigating a world defined by competing narratives.
Malavika VN's documentary Viraamam (At Reel's End) brings the fading profession of film projectionists into focus at the 18th International Documentary and Short Film Festival of Keralam in Thiruvananthapuram. Built from a student project revisited a decade later, the 16-minute film captures the nostalgia, labour and quiet loss behind the shift from 35mm projection to digital cinema.
Singaporean collector, scholar and curator Peter Lee is using textiles, dress and domestic heritage to argue that the histories of Peranakan and South Indian communities are deeply intertwined through the trade networks of multicultural port cities. Speaking in Karaikudi at the Chettinad Heritage and Cultural Festival, Lee linked his own family memories, his research on the kebaya and his work on Peranakan heritage to a broader rethinking of identity, material culture and empire.
In their first collaboration, Abhishek Bachchan and filmmaker Shoojit Sircar discuss the intimate, emotionally charged world of 'I Want to Talk,' a film based on the true story of cancer survivor Arjun Sen. The conversation ranges from acting methods and the decision to avoid prosthetics to the film's deeper concerns: parenthood, mortality and the unfinished conversations that shape family life.
Spark marks a striking family-led entry into Indian cinema for the Vashistha family, whose GAP Studios is making its first production with a bilingual investigative drama in Kannada and Hindi. Led by Niranjan Sudhindra in the role of a journalist exposing a major bank scam, the film blends corporate ambition, personal passion and a multi-generational creative effort.
Avinash Balekkala's Kannada debut, Heggana Muddu, begins as a pointed, unsettling study of an arranged marriage shaped by patriarchy, ego and emotional silence. It is lifted by Poorna's increasingly convincing performance, but the film loses momentum when it splits its leads into separate tracks and loses sight of its core conflict.
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