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UAE-based Al Fursan has emerged as the new owner of Kerala Blasters, marking a significant change in control for one of Indian footballās most closely followed clubs. The move signals fresh capital and potentially a new strategic direction for the Kerala-based side as it looks to strengthen its competitive and commercial position.
Sri Lankan President Anura Kumara Dissanayake has pointed to Indiaās stated position before its Supreme Court that Katchatheevu belongs to Sri Lanka, using the issue to underscore what he described as generally good relations between the two neighbours. His remarks come after Indiaās Attorney General told the court last week that New Delhi did not intend to reopen the 1974 and 1976 agreements that settled the islandās status.
At Delhiās Sunder Nursery, Anuradha Kapurās Virasat offers a searching reimagining of Mahesh Elkunchwarās Wada trilogy, turning a landmark of Indian theatre into a contemporary meditation on inheritance, decay, and the false comfort of memory. The production argues that the past can be emotionally seductive, but clinging to it may exact a steep human and moral cost, while modernity itself is no guarantee of renewal.
At Delhiās Sunder Nursery, Anuradha Kapurās staging of Virasat transforms Mahesh Elkunchwarās Wada trilogy into a stark meditation on inheritance, decay, and the emotional cost of preserving a collapsing world. The production argues that modernity is not automatically liberation, and that the refusal to let go of a dying past can exact a steep human price.
At Delhiās Sunder Nursery, director Anuradha Kapurās Virasat offers a searching reimagining of Mahesh Elkunchwarās Wada trilogy, turning a landmark of Indian theatre into a meditation on inheritance, decay and the emotional cost of refusing change. The production is less a nostalgic homage than a disciplined critique of the past, arguing that modernity is not automatically progress and that the collapse of old certainties can be both necessary and devastating.
At Delhiās Sunder Nursery, director Anuradha Kapurās Virasat offers a searching reworking of Mahesh Elkunchwarās Wada trilogy, turning a landmark of Indian theatre into a meditation on inheritance, erosion and the cost of nostalgia. The production argues that modernity is not automatically progress, and that clinging to a fading past can exact a steep human price.
At Delhiās Sunder Nursery, Anuradha Kapurās Virasat offers a searching reimagining of Mahesh Elkunchwarās Wada trilogy, turning a landmark of Indian theatre into a contemporary meditation on inheritance, decay and denial. The production argues that the desire to preserve a collapsing past can become its own form of violence, even as modernity proves no automatic remedy.
At Delhiās Sunder Nursery, Anuradha Kapurās āVirasatā turns Mahesh Elkunchwarās Wada trilogy into a searching meditation on inheritance, memory and the cost of refusing change. The production is less a nostalgic tribute than a stern reminder that modernity can be disruptive, but clinging to a dying past can be far more ruinous.
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