Anuradha Kapur’s ‘Virasat’ Recasts Elkunchwar’s Wada Trilogy as a Warning Against Romanticising Decline
At Delhi’s Sunder Nursery, Anuradha Kapur’s ‘Virasat’ turns Mahesh Elkunchwar’s Wada trilogy into a searching meditation on inheritance, memory and the cost of refusing change. The production is less a nostalgic tribute than a stern reminder that modernity can be disruptive, but clinging to a dying past can be far more ruinous.
